
SCARF in partnership with I-WILL & Edmonds College present
Her Stories: Breaking Silence on Violence Against Women – A Collaborative Celebration of Resilience and Voices of Immigrant Women
DANCE: 25th Nov 2025 | 4:00 to 7:30 pm at the Black Box Theatre, Edmonds Community College
Inspiring talks and Q&A sessions with speakers from diverse immigrant backgrounds. Artistic performances, including dance and voice narration. Art exhibit showcasing the work of immigrant women artists, with opportunities to engage with organizers and explore solutions while amplifying marginalized voices.
Questions? please email programming@scarf.global
TIME DURATION 4:00 to 4:05 05 min Introductions 4:05 to 4:15 10 min Dance - Baraye (Woman Life Freedom) 4:15 to 5:15 60 min Speaker/Talk/Q&A - Lawdan Bazargan, Tenzing Dorjee, Ladan Zarabadi 5:15 to 5:30 15 min Dance - Pulse (Healing) 5:30 to 6:00 - break 30 min 6:00 to 6:15 15 min Dance - Girls that Never Die (intro Anya) 6:15 to 7:15 60 min Speaker/Talk/Q&A - Naiara Santos 7:15 to 7:30 15 min Final talk with organizers (SCARF and IWILL representative) 7:30 to 8:00 - breakdown 30 min Tear down and close
Join us for an art exhibition at 5:30 to see some amazing artists present their work




PULSE
Choreography by Emmy Fansler Bakari
Healing begins when we acknowledge and treat women as the whole, complex, beautiful humans that they are, rather than a collection of their parts and uses.
Dancers:
Emmy Fansler Bakari
Bianca Kamnitzer
Shea Hatch
Anaya Lorio
Jenna Laurente
Katie Danvers
Terri Wilmoth
Anna Holmes
Scarlett Danvers
London Stewart
Andi Laramy
Claire McGourty
Avery Lang
Amelia Buss
Annabelle Harder
Maya Covert
Priscilla Danvers
Clhoe Taylor
Sarah Shepard
Ashley Smith
Girls That Never Die
Choreography by Joyce Paul Siamak
Poem - Safia Elhillo | Music composition & vocals - Meera Krishna | Guitar - Rajesh Kamath | Virtual Instruments, Recording, Editing and Mixing - Siamak Poursabahian
This poem resonates with global issues: child marriage, gender-based violence, and cultural practices that harm women. It critiques systems where women’s bodies are controlled, traded, and violated, often under the guise of tradition or family honor. The speaker does not name the girl—emphasizing how her identity is erased.
This poem is not just a critique—it’s a lament, a witness, a scream. It speaks to
- Child marriage and sexual violence
- Patriarchal systems that erase identity
- Traditions that harm under the guise of honor
The girl remains unnamed, unvoiced, and unformed—until she is shaped by others. That absence of agency is the poem’s most powerful indictment. This passage doesn’t just describe a practice—it indicts a system where girls are mutilated, silenced, and passed between men.
Dancers
Meera Krishna
Tanvee Kale
Swetha Sasikumar
Vidya Sundaram
Joyce Paul Siamak


"Also"
Poem by Anya Kumar
While the trauma of teen rape may be acknowledged, the vital work of healing and rehabilitation often remains overlooked. As a society, we still have a long way to go in truly supporting survivors on their path to recovery.
Baraye
Choreography by Joyce Paul Siamak
Lyrics - Twitter posts from WLF
Music - Shervin Hajipour
A haunting anthem of hope and resistance, “Baraye” voices the dreams, grief, silent screams, everyday dreams, and collective heartbeat of a people demanding to be seen.
Dancers
Meera Krishna
Tanvee Kale
Swetha Sasikumar
Joyce Paul Siamak

